The size of the reed opening can also be mistaken for hardness. I may balance the reed this way several more times before I consider the reed finished and stable. for the reeds I make for myself I continue to thin the very tip of the reed and the sides of the tip. I love the fact that I can go at my own pace. This means that the reed should have the same thickness of cane on both front and back blades and on each half of both blades (see diagram, left). REED . It's easy to say quality is more important than quantity, but be careful with that saying because you also need a large quantity of reeds just in case something changes. oboe reed making does not stop at the reed desk. I wasn't sure at first if it was too long, but comparing it to the reeds the other players in my section use, there is a noticeable difference. While there are some tricks you can do to make the reed more open or closed (like simply squeezing it open or shut), you might want to keep a few reeds that are too open or closed just in case they change! The crow allows me to build the function into the reed away from the control of the embouchure. Bring the reed to your mouth - not your mouthto the reed . If you're not sure how long your usually are, you might want to check all your best reeds to see if they are a particular length. I also try to carry with me a bunch of reeds in various stages of being finished, meaning I try to carry some blanks, some half-finished, some newly finished, and one or two old reeds. Métal épais ou mince Certains prétendent que le métal plus mince favorise les articulations. I basically use that template for most of my reeds, and then some reeds end up being a little harder or softer, or darker or brighter in sound, or have a bigger or smaller opening. PierreRoyOboe 14,183 views. While you are crowing, you should also try to feel if the reed is vibrating into the heart and windows. Some people like to play with harder reeds than other people, but having a variety of reeds can help you in situations that are atypical. How to Balance an Oboe Reed. Maybe keep one old reed that used to be good in case of an emergency, and then a few newly finished reeds that are not broken in. Maybe not everyone reading this has driven a car, but you wouldn't want to tap the accelerator and have the car go 90 mph, but instead, you would want to have the control to ease on the accelerator to increase your speed. There are times when I make a batch of reeds that all seem to die within a few days, but then the reeds that were too hard at first are still useful. Soft reeds lead to saggy pitch and short lifespan. My oboe reed making philosophy I think it may be helpful for customers to understand my thoughts on oboe reeds, reed making, and playing the oboe to get an idea of how my reeds may work for the individual purchasing them from me. Will these resolutions last until the end of the year? If I make three bad reeds in a row, it’s probably time for a break (or most likely it’s time to sharpen my knife). Also included is my guide to scraping oboe reeds that is available for download. Moving between an B and an A should feel the same as moving from an A to a G, and from G to F#, and F# to E and so on. The best reeds do not need to be fussed over! The reed also needs to be balanced so that the heart isn't too thick compared to the tip or windows. The opening of a reed is mostly determined by the cane's diameter, the gouge, shaper tip, and tying length—basically all the things that happen before you start scraping a reed. Share This Course: Affiliation & Supplies. Playing oboe is strenuous for sure, and oboe reed making for personal use is not for the faint of heart. I basically use that template for most of my reeds, and then some reeds end up being a little harder or softer, or darker or brighter in sound, or have a bigger or smaller opening. By clipping the reed, the reed became more open. Some reeds will only ever be OK, so use those to practice on. Place your reed into the top of the oboe, holding the base of the top joint. or at least until February? If there is a problem with a reed being too open or closed, it should be addressed directly. English. If there is a problem with a reed being too open or closed, it should be addressed directly. For me, response means that if I try to play a low C, middle C, and high C, all notes in all registers should play on command. Hold the top joint securely while you insert the reed, being careful not to grip the keys. For example, creating more separation between the tip and the heart and between the heart and windows will tend to open up the reed which might improve the response in the low register. 2. I make oboe reeds primarily by the crow of the oboe reed. Details and insight. Resistance (too hard or soft) 2. See more ideas about Oboe, Oboe reeds, Oboe reed. 2:00. Members can check out these posts on fixing a reed that is too open and too closed. An easy test is to play the middle B (with just your first finger), then slur down to an A, then G, and see if each note responds just as easily as the previous note. But, it can be a good thing to have a few reeds that are a little bit different! Lessons. You can also try crowing the reed to see how little air it needs to start vibrating. Yes, I've made good reeds with my Mack+ shaper tip at 70.5 or 68.5 mm, but it's rare. It was once said that "it takes a barrel of failed reeds to get good at it". (Scales, long tones) Let the reed dry outside of the case for about 15-20min. If a reed needs to be broken-in, I like to play the opening page of Don Juan by Richard Strauss because the high notes with all the fast articulations can help break it in quicker. It truly is an amazing course that covers everything about reed making. If your oboe is not adjusted properly, you might try to scrape too much cane out of the reed. Soak the reed for 1-2 minutes. I hope you may find your way to AaronLakota.com where I have more information about oboe r Generally clip as little as possible. This is just the visualization I like to use for the terms 'restraint' and 'cushion'. The oboe reeds for beginners that are chosen must play in tune, with proper residence for the specific student.The oboe reed should also be responsive so the student can articulate notes softly or loudly in all registers of the instrument. This kind of response is mostly from how the tip is scraped and how the reed is balanced. You can also look at the transitions between the tip, heart, and windows. Push the reed all the way into the oboe, until the reed will not go any farther. 3.9 out of 5 stars 3. Keep the reed in the case for storage; Soak the reed again and play for longer practice sessions or rehearsals. 1. I try not to let myself mess up any more than three reeds at a time. I tend to play on light reeds, but I look for 'restraint'  or 'cushion' in the response. Don't pull the reed out more than 1/8 of an inch when you tune (this is a sign that the student is pinching the reed sharp with a tight embouchure) Learning to make oboe reeds is a very big endeavor to undertake and has always been extremely difficult and time consuming to learn. Some people might see this topic differently than I do, or adjust their reeds differently, so this is just how I handle my reeds. This will put you in a cycle where you feel like your reeds are not responding well enough, so then you will scrape extra cane off…which makes the reed go flat…then you clip the reed to bring the pitch up…which makes the reed less responsive…so then you scrape more cane off…which makes the reed go flat…etc. Scrape the reed several times on each side from one corner to the other. You are investing more in a handmade reed for a reed maker to be able to control these variables so you get better results. In other words, before you decide to clip the tip, make sure that the reed is overly responsive. The tip of your reed should get gradually thinner towards the top, so clipping off the tip should leave you with a thicker part of the tip. Maybe I'll fuss with those reeds a little bit and try to get them closer to what I play on, but I still like to have a few reeds that are a bit different. The heart and windows of the reed need to be just thin enough, which is why I sometimes use a dial indicator to quickly measure those areas—this just ensures that my reeds are within a normal range. Moving between a B and an A should feel the same as moving from an A to a G, and from G to F#, and F# to E, and so on. I try to leave a spine going up the center of the tip. That will waste time and make your reeds worse the next day. All. The easiest way to scrape is to place the reed on a mandrel for easy handling. The tip (especially at the top and sides) should be scraped thin enough to easily start the sound. Leaking (air escaping) Ideally, this should work as you go down to an F#, E, D, C, low B, and low Bb. There are times when I make a batch of reeds that all seem to die within a few days, but then the reeds that were too hard at first are still useful. Pieces by Bach require more restraint in your sound, but you would still want the reed to respond easily and not be too tiring to play on. You won’t have as much tension in your wrists, shoulders, arms, or back. OK, even though you can only play on one reed at a time, you never know what will happen to that reed. It is important to use as many adjectives as we can to describe our reeds (and our playing too) to help zero in on the precise problem. When clipping with either a knife or razor blade, hold the reed in one hand, and the knife in the other. It the edge gets feathered, clip it a bit. The tip should be scraped thin enough to easily start the sound. There are some halls and rehearsal rooms that I have played in that required a heavier reed. Reeds are listed here in order of most free-blowing to most resistant: M – Very free-blowing, long tip, larger aperture in general, responds well to a firm embouchure. Time will tell. By having some restraint to our sound, it will improve the tone quality. See more ideas about Oboe reed making, Oboe, Oboe reed. In order to make the reed more responsive, thin the tip! Check out this post with my reed making measurements here. On my reeds, I basically scrape what some people call a 'super tip'. Some oboists prefer to play on harder reeds, but that shouldn't affect the response. It takes longer to finish the reed, but your results are worth it. If you are making your own reeds, then also have some blanks and partially finished reeds that you can try to finish in a pinch. In general, if a reed is too hard for me, I might scrape more cane out of the blend area or scrape more out of the top and bottom corners of the tip. I continue to thin directly behind the heart and balance to that adjustment by clipping the tip and again thinning the sides of the tip. Maybe I'll fuss with those reeds a little bit and try to get them closer to what I play on, but I still like to have a few reeds that are a bit different. There are many benefits to a sharp reed knife including…. Full HD Download available @ http://www.playwithapro.com Watch François Leleux make an oboe reed from scratch. Oboe Reed Medium Soft Oboe Reeds Cork Reed Wind Instrument Parts with Transparent Tube Sleeve. Maybe a reed with too small of an opening might be perceived as too easy, or a reed with too big of an opening might be too hard to play in the upper register. Aug 20, 2018 - Explore Andrea Oosterhouse's board "Oboe" on Pinterest. I had an oboe reed handmade for me and the reed itself is very good and responsive, but the cork of the reed is too long, essentially making everything I play sound flat, even when pushed in all the way. Often reed makers have the thumb of the hand holding the reed resting on the knife to have more control right where the knife is scraping. It happens! That means that a professional who plays on hard reeds should still be able to play low notes reliably. With this oboe reed lesson, you can become a more consistent reed maker. The restraint in the reed comes partly from leaving enough cane in the center of the tip. For an oboe reed to work at it's best (vibrate at its optimum level) it needs the be correctly balanced. For example, creating more separation between the tip and the heart and between the heart and windows will tend to open up the reed which might improve the response in the low register. Article will help you diagnose, adjust & hopefully fix the following with... Of course, if you are crowing, you might try to how to make an oboe reed more responsive your best what... For me, I want to have a bunch of reeds ready start vibrating you are investing more in handmade... Crescendo and decrescendo have more control over your scrape, the reed to control these variables so get... 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